Understanding the Tao te Ching Chapter 33: Enlightening Yourself

For this Chapter we will use Susuki's Translation:

One who knows others is clever, but one who knows himself is enlightened. One who conquers others is powerful, but one who conquers himself is mighty.  One who knows contentment is rich and one who pushes with vigor has will. 

One who loses not his place endures. One who may die but will not perish, has life everlasting.

Interpretation:

Here the author speaks directly about the benefits to the individual of taoist behavior.  

The two sentences of the first stanza seem generally well understood.  Happiness and unhappiness are conditions of our own existence.  Understanding others, learning to manipulate others can never be as effective as addressing the sources of happiness and unhappiness in ourselves.

The first part of the stanza also seems clear and is common in western thought.  If you are content you have all the riches you need.  The second half of the stanza is somewhat in doubt however.  It is not clear from this translation whether "will" is a desirable thing to have.

The original text reads this way:

自勝者強

And may suggest that a person of great will is better able to live with contentment.  Or perhaps seek enlightenment within.

The second stanza hints at a common trait among taoist.   Most who follow the Tao do not fear death.  It is as naturally a part of the natural order as is birth.  The rising and falling of all things, even the self is seen as right and natural.  Perhaps this view can be understood by seeing that the taoist does not view himself as separate from the world around him.  An iceberg is still water, does it make sense that the iceberg should be prevented from melting back into the ocean as it passes into warmer water?  The Taoist does not die, he or she moves from form to form as is natural.

Understanding the Tao te Ching Chapter 29: Wu Wei

For this chapter we will use Susuki's translation:

When one desires to take in hand the empire and make it, I see him not succeed. The empire is a divine vessel which cannot be made. One who makes it, mars it. One who takes it, loses it. 

And it is said of beings:
" Some are obsequious, others move boldly, Some breathe warmly, others coldly, Some are strong and others weak, Some rise proudly, others sneak."

Therefore the holy man abandons excess, he abandons extravagance, he abandons indulgence.

Interpretation:

One of the key concepts of Taoism, Wu Wei, is explored in this chapter.  Wu Wei can be described as having the wisdom to know when to act.  It is summed up quite nicely in  Reinhold Niebuhr's  serenity prayer:  

"God grant me the serenity to accept the things I cannot change; courage to change the things I can; and wisdom to know the difference."

Knowing that the author favors Wu Wei, this chapter can be interpreted to be a caution against over action.

Stanza one observes that control cannot really be taken.  By attempting to do so, we often destroy or change that which we wish to control.

The second stanza observes that humans nature is varied and different people approach issues differently.  

The third stanza can be seen as saying, "regardless of your nature, you are wise to limit your interference.  Practice Wu Wei.

Understanding the Tao te Ching Chapter 24: "Being Natural"

24.

It is not natural to stand on tiptoe, or being astride one does not walk. One who displays himself is not bright, or one who asserts himself cannot shine. A self-approving man has no merit, nor does one who praises himself grow.

The relation of these things (self-display, self-assertion, self-approval) to Dao is the same as offal is to food. They are excrescences from the system; they are detestable; Dao does not dwell in them.

Interpretation:

Again this chapter cautions us about vanity and the ego and the very funny metaphors again points out the happy heart of the taoist.   We cannot stand on our ego with any more grace than we can on our tiptoes.  

The comparison of the ego to "offal" is funny but leads to a deeper question.  By saying "self-display" etc. exist in relation to the Dao in the same way that offal relates to food, the author suggests that ego is a by product of the Tao.  Why might they say that?

Understanding the Tao te Ching Chapter 22: Humility

For this chapter we will use Legge's translation

22.

The partial becomes complete; the crooked, straight; the empty, full; the worn out, new. He whose (desires) are few gets them; he whose (desires) are many goes astray.

Therefore the sage holds in his embrace the one thing (of humility), and manifests it to all the world. He is free from self- display, and therefore he shines; from self-assertion, and therefore he is distinguished; from self-boasting, and therefore his merit is acknowledged; from self-complacency, and therefore he acquires superiority. It is because he is thus free from striving that therefore no one in the world is able to strive with him.

That saying of the ancients that 'the partial becomes complete' was not vainly spoken:--all real completion is comprehended under it.

Interpretation:

By now the theme of desire and the dangers of desire are well established in the Tao te Ching and the first stanza here is no exception.  It is interesting to note that this chapter does not suggest that you should have no desires only "few."  Perhaps there is a clue to this meaning in the phrase "the partial becomes complete."  Some desires, such as for food, "complete" us.  Other's such as the desire for a 72" plasma screen tv, feed something besides our bodies.

The second stanza can be seen in this context as a message about what we don't need.  What does self-display feed?  What does "self-assertion" feed?

Then the third stanza can be seen as confirmation that the "real" needs can be met naturally within the flow of the Tao.

There are clear parallels in this chapter to both The Buddha's teaching on desirelessness and Jesus' sermon on the mount.  Why do you think so many of the great masters shared the same themes?

Understanding The Tao te Ching Chapter 15: Describing the Masters

For this chapter we will use Legg's Translation:

15.

The skilful masters (of the Dao) in old times, with a subtle and exquisite penetration, comprehended its mysteries, and were deep (also) so as to elude men's knowledge. As they were thus beyond men's knowledge, I will make an effort to describe of what sort they appeared to be.

Shrinking looked they like those who wade through a stream in winter; irresolute like those who are afraid of all around them; grave like a guest (in awe of his host); evanescent like ice that is melting away; unpretentious like wood that has not been fashioned into anything; vacant like a valley, and dull like muddy water.

Who can (make) the muddy water (clear)? Let it be still, and it will gradually become clear. Who can secure the condition of rest? Let movement go on, and the condition of rest will gradually arise.They who preserve this method of the Dao do not wish to be full (of themselves). It is through their not being full of themselves that they can afford to seem worn and not appear new and complete.

Interpretation: 

This chapter is valuable because it gives direct example of what someone who practices Dao looks like.  Because the daoist chooses to "go with the flow," a master daoist may look a great deal different than the fearless leader or champion of industry that we are used to thinking of as masters.  

The skillful Taoist looks for the natural lines, the seams where anything may be accomplished without effort.  An excellent example of this thinking is the first line of the third stanza.  "Who can (make) the muddy water (clear)? Let it be still, and it will gradually become clear."   Taken literally, yes, we could build water filters and water purification plants but nature will perform this action on its own given time.  The taoist would wait, if he could and work with nature to find a time when the water was drinkable.  Metaphorically, the taoist does not seek to overcome but to come into accord with.  Therefor, he often chooses not to act, waiting rather for the ideal time. 

Using this image, we begin to see why the taoist master looks so hesitating and un-masterlike.  He is the master at the art of acting without acting, seeking balance, finding peace.  Therefor he never attacks, never goes forth with strength.  He has great strength, but it is the strength of water finding the lowest place, the flexibility of the young tree to bend in the wind, the wisdom to retire when his goal is accomplished.